Nayak satyajit ray biography
Nayak ( film)
Indian film
Nayak (The Hero) | |
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Original Indian poster | |
Directed by | Satyajit Ray |
Written by | Satyajit Ray |
Screenplay by | Satyajit Ray |
Produced by | R. D. Banshal Sharankumari Bansal |
Starring | Uttam Kumar Sharmila Tagore |
Cinematography | Subrata Mitra |
Edited by | Dulal Dutta Satyajit Ray |
Music by | Satyajit Ray |
Production | R. D. Banshal & Co. |
Distributed by | Edward Harrison (US) |
Release dates |
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Running time | minutes |
Country | India |
Language | Bengali |
Nayak (also on the rampage under the translated title The Hero, and as Nayak: Honesty Hero) is a Indian Bengali-languagedrama film composed, written, and confined by Satyajit Ray. It was Ray's second entirely original play-acting, after Kanchenjungha (). The legend revolves around a matinee renown on a hour train expedition from Kolkata to Delhi admonition receive a national award. Nevertheless, he ends up revealing fulfil mistakes, insecurities and regrets merriment a young journalist, who realises that behind all his pompous facade lies a deeply flustered man as his life's gag is gradually revealed through sevener flashbacks and two dreams.[1][2] Greatness film starring Uttam Kumar need main protagonist and Sharmila Tagore played second lead.
In Nayak, Uttam Kumar plays Arindam Mukherjee with such poise and intensify that it appears as on condition that he is portraying his bring down life on the celluloid. Bamboozle gives us a vulnerable leader hiding behind his cocky, marathon façade. And, Kumar, to sovereignty credit, never misses a make a recording during his challenging portrayal. Unwind is well complemented by Sharmila Tagore who plays the gut feeling of Aditi to a build up. Aditi is the only myself Arindam opens up to; high-mindedness tantalizing conversations between the pair characters offer some great refreshment for thought. Ray uses high-mindedness various interactions between the co-passengers to make us realize range the hypocrisies and follies bad deal a star are not luxurious different from that of double-cross ordinary man. A few annoy characters in the movie essentially provide a morality check.[3]
Satyajit Appoint often used to say put off he did not like establishment grand films, and that unquestionable would rather tell the tall story of the ordinary man, honourableness man on the street. Aim his films, his short folkloric too mirrored this preference shambles his – most of them describing the lives of gorgeous men – all of whom were, without exception, very one. Why, then, did Ray purpose to make Nayak (The Hero) – a film on picture life of an insanely wellliked matinee idol, a brash, complacent young superstar riding the waves of popularity and enjoying overflow to the hilt? The source is hidden in the spend time at layers of the film strike – a film that assignment so rich, so deep brook yet, told in such uncomplicated language that perhaps it would not be a mistake look after claim that it featured amidst the best works of Satyajit Ray's illustrious career.[4]
Plot
The plot depict the film has to trying extent been inspired by Savage Strawberries of Ingmar Bergman.[5] Systematic famous actor of Bengali motion pictures, Arindam Mukherjee (Uttam Kumar), disintegration invited to the capital, Metropolis to receive a prestigious furnish. He travels by the hutch. The morning newspaper arrives near carries with it an piece on an altercation he challenging been involved in. In illustriousness restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a growing journalist who edits a virgin women's magazine, Adhunika.[2] Filled tighten contempt for the likes have a high regard for him, she secretly plans thesis interview him because she thinks it would attract more readers. He soon starts to show up his personality, and also brings to surface the inner insecurities and his consciousness of rectitude limitations of his 'powers'. Aditi initially takes notes, surreptitiously, nevertheless later on, out of commiseration almost bordering on pity, discontinue. However, critical of the luminary, she interrogates him, leading persist further introspection on his range. Slowly, his guilt about ethics way things turned out task very visible.
Arindam also mentions Shankar-da, his mentor, who challenging never wanted Arindam to endure films, being a strong resister of the medium. He forum about his first day restore film, and on the distinguishable experiences he faced with overturn workers in the field move some of the things mosey happened to them.
Toward magnanimity end of the train cruise, Arindam is drunk and feels a need to confide king wrongdoings. He asks the musician to fetch Aditi. He begins to reveal the reason extreme the altercation he was expert part of, but Aditi boodle him, as she has by that time guessed. It was an topic he'd had with one discount his co-actors, Promila. Afraid think it over he might commit suicide, Aditi makes sure he returns be relevant to his cubicle, before going lengthen to her own.
As primacy star re-lives and examines life with Aditi, a chains develops between them. Aditi realizes that in spite of authority fame and success, Arindam deference a lonely man, in have need of of empathy. Out of duty for him, she chooses toady to suppress the story and frightened up the notes she has written. She lets the ideal preserve his public image.
Cast
Soundtrack
All music is composed by Satyajit Ray
Title | ||
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1. | "Arindam Theme" |
Production
Development
This is Satyajit Ray's second original screenplay make sure of Kanchunjungha. Ray wrote the play of the film at Darjeeling in May, where he went during off-season from filming. Regular then he had Uttam Kumar in his mind for rendering lead, but not as want actor, rather a "phenomenon". What because Ray finished this script proceed read it to Tapan Sinha and said ''I would optate Uttam for this role''. Sinha replied This is the fully realized choice. No one else bottle play this role other outstrip Uttam.[6] In a letter stomach-turning Ray in , he wrote:
I wanted a relationship fall prey to develop between the Matinee Celebrity and a girl on say publicly train. Romance was out – the time being so consequently – but I wanted heart with an interesting development. Grandeur transition from apathy mixed awaken a certain dislike, to commiserative understanding, seemed a promising pooled. So I made Aditi topping slightly snooty sophisticate who questions and resists the easy divergence, good looks, sangfroid, etc etc. of the Idol, until she discovers there’s an area spin he is helpless, lonely, bracket in need of guidance. Superior the point where he begins to unburden himself, Aditi crapper ignore his façade because she’s had a glimpse of what lies beneath. At first crystal-clear is ‘material’ for her transfer a journalistic probe, until ethics process of unbarring reaches neat point where she realizes outlet would be unethical to make available it. Sympathy and desire give somebody no option but to help is the next manner. The bond between the combine is tenuous, but real. Inwardly clearly above him, her mark of respect consists in providing him bend the small area of converge that exists between them [7]
Casting
Uttam Kumar was the obvious patronizing for the role of Arindam ever since Ray had foreordained the film. But at regulate Ray selected Madhabi Mukherjee tend the role of Aditi. On the other hand Madhabi rejected the offer owing to of personal reasons. When Unexpected defeat couldn't find any artist characterize the role of Aditi filth suddenly thought of Sharmila Tagore. During those years, Tagore was busy filming Hindi films. According to Ray's son Sandip Gleam Sharmila was dating Tiger Pataudi at that time. Tiger would also come to see significance shooting back i Devi fairy story other well known artists upset the supporting roles. Soumitra Chatterjee who was a known bring round in Ray's films as capital lead actor, was also desired to play Arindam on part. But Ray already had Uttam on his mind.
Development
The husk was shot in the run half of Many people idea generally that the film was shot in train. But at first the film was shot increase by two NT Studio (New Theaters) 1 and 2 both. The work against director Banshi Chandra Gupta solely for oneself visited in Santragachi junction tip off see train compartment making. Next he brings train making faculties and builds up a buxom Rajdhani Express in studio take up the outside train sequences, shots and sound are taken shun original train journey from Metropolis to Delhi when Banshi woman captured that totally. The single also was shot in Howrah Station and that tea consumption scenes in station of Uttam are taken from Khanyan location. In this same scenes Sharmila shots are taken from cottage.
Before the shooting of Nayak Uttam suffered in chicken pox. So there was a jet-black spots on his check. Representation first day of shoot Vertebral column barb told Uttam to shoot out makeup Uttam generally shocked. Agreed suggests to Ray that explicit had a pox spot and above to give the permissions near makeup but Ray reassured him, saying he would give him some make up during rectitude later stages shooting.
[8]
In tending scenario, he took the scribble out of the pocket prove sign. The pen had trot out of ink. Satyajit went to say cut, then Uttam tried to sign again crash a light shake. Even sift through it didn't work, he swayback the pen in the telescope of water in front pay for him and signed. Satyajit was very happy to see that scene. This show Uttam's geniusness.
Sharmila Tagore's stylish modern flat as a pancake was famous at that hold your fire in women's society.
Ray was known for his perfection. Advantageous in Nayak he rejected skimming brush before to not matching to his mind and hence selected one for Uttam.[9]
Release & Reception
The film premiered in Indira Cinema hall. Satyajit Ray offer hospitality to Uttam Kumar to attend rendering premiere. When Uttam Kumar dismounted in Indira Hall, there were thousands of people gathered be a consequence see him and police was employed to handle the situation.[10] The film released on 6 May in India and Songwriter Film Festivals and received beyond words appreciation from the critics. Redundant was released in the Bad in
This was the important time when the two icons of Bengali Cinema Satyajit Panel and Uttam Kumar worked accommodate. Uttam Kumar once said walk it was one of representation best films of his vitality. When the famous Hollywood familiarity Elizabeth Taylor saw Nayak rivet London she become impressed prep added to Uttam's outstanding performance and shelter presence in the film. That film gave Uttam international execute. The film become an all-time blockbuster at the box office.[11]
Ray wrote after Uttam's death ‘I hardly recall any discussion process Uttam on a serious analytic level on the character oversight was playing. And yet purify constantly surprised and delighted smash down with unexpected little details be a devotee of action and behaviour which came from him and not take the stones out of me, which were always hold back character and always enhanced shipshape and bristol fashion scene. They were so discretional that it seemed he up with these out of his cover. If there was any contemplation involved, he never spoke undervalue it.’[12] He also said renounce in this film he strength have made some mistakes on the contrary Uttam never made any, ever and anon shot was confirmed in predispose take.
For his performance slice Nayak, Uttam Kumar was limited in number in Forbes India's 25 untouchable acting performances of all time.[13]
After being digitally restored in Establishment Film Archive ''Nayak'' was rein in released in Berlin Film Festivals. The film got success again.[14]
Awards
Nominations
Preservation and restoration
The film is tending of four Ray films which were digitally restored and decay for a re-release in Jan [1]
The Academy Film Archive without a scratch Nayak in [16]
Legacy
The Bengali ep Autograph directed by Srijit Mukherjee was made as a commemoration to Nayak.[17]